When I first watched my skydiving video, I couldn’t help but cringe a little. Even now, I find myself wishing for the removal of some frames and the addition of others.
The angles aren’t great, I stick my tongue out at one point, and I’m gaping and gesturing like a child. I’m embarrassed that I’m embarrassed, because isn’t it enough that I went skydiving and it was magical?
I want to control the way I look when I’m feeling a lot of emotion, or at least control how I look in the images meant to capture that emotion and carry it out into the world. I want to look open but not too open, happy yet composed, and please no awkward facial expressions or ugly crying or anything else untamed, unkempt, unhinged.
But the most moving photography of humans captures the real, raw moments. I have rarely seen such unbridled joy on my face as I did during the freefall, but I find it hard to see the beauty, to be moved by my own childlike, unmitigated wonder. I worry what others will think, that they will laugh or be uncomfortable, that I will laugh or be uncomfortable and miss out on every re-experience of Magic.
I wasn’t worrying about it at the time, but I was worrying in Alliance, Nebraska, a few weeks earlier. This was the day of the total solar eclipse. I wasn’t worrying about how I looked, but I may as well have been.
It’s hard to capture a moment and still remain fully present to that moment. That’s why I didn’t even try to photograph the eclipse. But I did want everything to be just so. I was aghast that the people around me proceeded to talk through all of totality, that cameras were clicking and distractions abounded. I wished I were on a hilltop, alone. I wished everyone was reverent and solemn in the ways I thought they should be reverent and solemn. I wished to fall into a sun-trance, but I seemed thwarted by externals.
Sometimes everything comes together splendidly, and yet it’s not enough. We feel too much or too little, or we look like we feel too much or too little, or our attention is diverted just enough that we feel, somehow, that our experience didn’t count.
I can never, it seems, experience something just once and be satisfied. The high demands I place on Magic are hard to fulfill.
And yet, Magic, Magic is everywhere. I have always loved the true stories of breaking through what we thought were barriers of the natural world, of going beyond where we thought we could. Apollo 13 was the first movie I saw in theaters, at age 6, and in college I jumped at the chance to take a niche course on the Space Race of the 1960s.
I am thrilled to the bones, moved to tears, by stories of these explorers and risk-takers. In these stories, there is a First around every corner, one moment and then another of breathless anticipation and water in the eyes. I watch my own skydiving video and I attach it to the more dramatic music in the company’s promo video, I attach it to Launch music and Leaving Port music and every other song I can think of that bespeaks adventure, so that the moment when the song reaches its crescendo is my Moment of leaving the plane.
No video or picture I’ve ever seen has done justice to the magic of skydiving, the magic of a total solar eclipse. They say a picture is a worth a thousand words. Dare I believe that collections of a thousand words could be worth pictures?
You will remember the buildup and the aftermath, but will you remember the freefall?
I’m worried that I’m already forgetting what it was like to skydive. Skydiving is not like riding a rollercoaster. It is not like anything but itself. I watch the video of me, plucked from a handcam, plucked from the sky. I see big-eyed surprise and wonder, then joy, then contentment on my face, but in some ways it feels like I’m watching another person. Fear, too, makes it hard to remember what came after the fear.
But I remember enough.
“I’m going skydiving,” I would say, sounding nonchalant and confident. And I was nonchalant and confident, mostly. The continuum of fear, when so many continents and weeks lie in between, is barely a blip, makes it easy to sleep at night, at the beginning.
I do not sleep well, though, the night before. I writhe in the covers and chatter into the darkness, and even the peace of an alpine cliff top does not permeate.
Then the uncertain morning weather reminds me that nothing is inevitable, and after seven hours of working myself into a lather of anxiety, I am not sure if I want the delay to be temporary or permanent.
Finally, I arrive at the hangar in Interlaken with sixteen other people from at least four continents, not including the one we find ourselves on. We put on blue jumpsuits, gloves, and then the straps around legs, waist, and shoulders that will connect us with our other halves. We lay on our stomachs on the floor and practice tilting, bending, gripping. We watch the experts look at the sky, and we exchange rumors, and we wait. I meet people from Australia, China, Saudi Arabia, North America. I become less nervous, even as I meet very nervous people.
One plane holds about a dozen passengers, or six tandem pairs, or four tandem pairs and a few “fun jumpers,” or some other combination of novice and experienced. At last, there is more blue in the sky than white, and the rain is over, and we are moving in Swiss Time again. I will be taking the second trip up. I wait more than half an hour, watching people leave one way and return another, looking at first for the black dots in the sky, and then the blues and oranges and reds and whites of the parachutes, and the numbers always match.
My other half, Dave, is a man of few words, a 25-year veteran of the skies, someone to ease all manner of worries.
I am first on the plane, which means I will be the last off.
My nerves crackle to life again as we assume our positions on board, as I pass through the door that will open again at 13,000 feet. It is me and a handful of American college students, now suddenly quiet. I smile for the camera, I peer out the window and try to admire Lake Thun and Lake Brienz, the peaks Jungfrau and Monch and Eiger, but then we are practicing positions for the jump, then the straps that had been attached at takeoff are tightened, then I am given a pair of goggles to wear that instantly fog up.
And now we are above the clouds that have been teasing us all day. The light goes on, the light that turns from red to green to tell us that The Time Has Come. The door opens, and each pair scoots to the edge for their Moment. There isn’t much time before my turn, only seconds. Not long enough, or maybe too long.
We move to the edge of the plane, the gaping hole, and I am being moved by someone else as much as I am moving myself. I know I won’t drop prematurely, we won’t leave the plane until he and I are ready.
It is not “jumping” like walking to an edge and moving my body into empty space.
I am compliant, somewhere between active and passive. For this to happen, I must walk and then crawl to a point, and then relinquish my semblance of control. I do not see where I will go, but I know where I will go.
Knees bent, hands gripping the straps at my shoulders, head tilted back, and I am ready for the freefall. I won’t see when he lets go, but I will feel it. There are a few seconds of hanging, of waiting, and then we fall.
We are upside down, but then what is upside down when you’re tumbling toward the earth? It isn’t as scary as I thought it would be.
I was afraid my heart would be in my throat the whole time, a mighty lurch, a reenactment of the falling nightmares everyone has, that I would have an iron grip on my straps, the compulsion to scream away my fears, because that’s what it would be like if the drop tower amusement park rides reached 13,000 feet into the sky, hellish Towers of Babel that really climbed into the heavens. Would I be breathing heavily and laughing nervously at the end, round-eyed and shaking and only glad it was over?
It’s not like that at all, not for me.
Skydiving is not 0 to 100 mph in seconds. You are on a plane, as you have been on many planes before, and then you make a directional shift, your horizontal journey becoming a vertical one. It is gentler on your insides that you would expect.
My heart jumps a small jump, then settles. I might be screaming a little, but if so the sound is lost in the wind, the wind that ripples my cheeks and whips my hair back and makes me grateful for the gloves. The world stretches out beneath me, more breathtaking than any concrete-sky jumble at amusement parks, and I have the thrill without the fear, or at least with only a low-grade sort of fear that tapers off. After a few seconds of holding my shoulder straps, I can let go, and then I am smiling big, arms outstretched. We are parallel to the ground. We might as well still be flying. I posed for the camera in my pre-interview, on the plane, and later after the parachute opened, but I was not posing during the freefall.
We are even with the clouds now, level with white and blue and the yellow glow to the west where the sun will set in an hour or two. Close at hand are mountains with ribbons of snow, and others, farther away, that are full white and glorious. And below, getting bigger and bigger, is a carpet of green, grass green and tree green and blue-green, and it is hard to look anywhere other than down.
And then it’s time to slow down, after 45 seconds or forever. I’m jerked into a sitting position, and now I’m cruising along the sky, mountains now in my line of sight, conversation now possible. The dipping and spinning Dave now commences reminds me that it’s been entirely too long since I’ve had anything to eat or drink, and my stomach isn’t as strong as it once was, but it all works out.
I’m not an extreme sports kind of person. I don’t like downhill skiing or snowboarding. I’m not a fan of climbing rocks or jumping off rocks, and my particular history makes me pull back even from water skiing. I’m not usually someone who takes upon herself feats that others fear to do.
But if there’s anything that can give me the courage to leave a plane mid-flight, in a foreign country and surrounded by strangers, it is a chance to be among the wildest of beauty. Switzerland is the most beautiful place I have yet seen. Mountains are the most beautiful things I can think of, be they near or far, be they towering above me or under my feet or on the other side of the sky. This is the place to be my bravest self. If not now, then When?
After gliding in to a smooth landing, Dave asks me if I would ever do this again. Half an hour ago, I thought this would be a one-and-done type of thing. I surprise myself with the immediacy of my Yes.
“I’d rather be scared than sick,” I always say when describing my lesser-of-two-evils at amusement parks. But for that glorious minute, while falling to the earth, I was neither scared nor sick.
I dreamed about the eclipse several times before August 21st. Sometimes they were happy dreams: The sky did strange things, things that would never happen in the waking world, but I was there to see them. Most of the time, though, they were anxious dreams: I wasn’t able to find a place to stay along the path of totality. Traffic held me at a distance until it was too late. The weather was bad.
And it wasn’t just my dreams that held a sense of dread. I, who had known about this event for ten years, I, who should have known better, didn’t think to find a motel until most of them were gone. The eclipse was still months away, and I was already doing it wrong.
It was no longer a little secret between the sun and me; now, everyone knew, and they were just a little bit faster.
I was still an eclipse apologist, converting people and counting the days, but all the worst-case scenarios hung about me, the reminders that foreknowledge was no guarantee.
So there I was, spending the night on a field in middle-of-nowhere Nebraska, hoping like everyone else in this 60-mile stretch from coast to coast that I had won the weather lottery.
I wake up engulfed in cloud. Dribbling fog hides the sky, but there is hope, stronger than before, that the sun, the wonderful sun, will burn it all off long before midday.
Living in Denver, Colorado, the sunshine is our most familiar meteorological feature. Rain and even snow are welcomed as visitors, but the sun melts and dries and acts as if nothing else ever was or would be.
The beginning of an eclipse isn’t First Contact, when the moon takes its first, tiny bite out of the sun. No, it’s that morning when the sun comes up over the horizon, it’s when the clouds part and the sun, the whole sun, fills your world, and it’s a better pick-me-up than coffee, and The Beatles’ “Here Comes the Sun” must have been written for this time.
For the sun to disappear, it must first appear.
Less than ten thousand people live in Alliance, Nebraska. The main street is long and wide, and to the south is the train yard. As another train, probably a coal train, thunders by, I wonder aloud how many young people growing up here had, at one time or another, wished to take a train Somewhere Else.
The evening before, everyone seemed to be Somewhere Else. Traffic was light. A roadside booth and a K-Mart clothes rack showcased eclipse souvenirs, but otherwise the town was going about its rhythms with little interference, unless you knew where to look for the tents and the RVs.
And now, Monday morning, everyone is Here. Our makeshift campground begins to fill and the downtown coffee shop is already full and out of food.
You can’t see the sun from the big windows there, but you can see above the storefronts, and the ratio of blue to white is tilting in our favor. I sip hot chocolate or tea, one of the two, and I duck out once or twice to call my parents and look up.
My parents are with extended family in Albany, Oregon, doing the same thing I’m doing. They are an hour behind me, but today they are roughly half an hour ahead. I don’t reach them, but then it is time to put away the board game and get off main street, time to drive fast to the outskirts, me in the passenger seat opening the sunroof and tilting my head back, watching, watching for The Moment, but it is still minutes too soon, and we don’t miss anything at all.
Here comes the moon, do do do do.
A man on a loudspeaker announces First Contact, and for a few seconds I can’t tell which direction the moon is coming from. And then there it is, and the orb is no longer quite an orb. It is like seeing the moon go through its stages, only faster and more dangerous.
I have never seen a partial solar eclipse before. The closest I got was in Shanghai, several years ago. An annular eclipse would begin in southern China after sunrise, then cross the Pacific Ocean and pass over my hometown in northern California before sunset. I was thrilled at the chance to see the same celestial event my family would see from the other side of the world, even if only in partial form, but it was not meant to be. City lights and city smog shielded the sky, but perhaps it was just as well as I had no way to look at the sun safely.
Today, I have my eclipse glasses and they have theirs. We have both traveled to see this sight, and it is now that I reach them, for a few minutes when I am seeing a small sun and they are seeing one smaller still. We watch the waning together, and then I leave them for their totality and wait for mine.
I sit and stare for a few minutes, and then jump up and put on sunscreen, or throw a bag in the car, or look around at my fellow sun-gazers and this bit of green we are choosing to remember for the rest of our lives. It is about an hour and fifteen minutes, this pre-show, but it goes by so quickly.
Little by little, the lighting begins to change. There are no trees to cast strange shadows, but it is as if it is overcast, the sun behind a thin cloud, and then a thicker cloud, but all the actual clouds pushed to the edges, the sun high and alone at midday but for the moon. I need my sweater and I can’t contain my joy.
All that light becomes an ever-more-focused sliver, and it looks a manageable orange through my glasses, not the fiercest yellow that ever there was. And there is so much strength even in this tiny ray.
I know in my mind everything I’m meant to be watching for, everything I want my surroundings to be so everything will fall away, everything except the sun and me, and we will have our little secret again. At some point, I forget about my lawn chair and it’s impossible not to be standing.
In the last seconds, the light goes slant and otherworldly, the sky darker but the ground brighter, like sun and smoke, or sun and storm, and then we can look up unprotected, or nearly, as the last of the fierce yellow glint disappears.
And there it is, the black moon, backlit by the sun’s corona, a soft whiteness that in some ways resembles the nighttime moon, but is its own wild and beautiful animal, not a reflection but a reveal.
We are caught somewhere between dusk and nightfall. It is pink at each horizon, and we are the epicenter, suspended just before birth or death or both. For right now we are in the front row seats, and there no rows behind us. The world had changed slowly, almost imperceptibly, for over an hour, and then everything happened at once, and now time is stopped for almost two and a half minutes.
If I could only look at you for two and a half minutes, how much would I remember of the features of your face?
Is that enough time to memorize the features of the sky?
Everyone around me is talking or taking pictures or both, but I am silent and my hands are still.
This new world is only ours for seconds, and then everything will happen at once, again, and it will be gone.
When the sun comes back, the sun I knew before, there are fractions of a second when it doesn’t seem so bright, when I can take in the light on the edge, before I have to tear my eyes away for their own sake.
We are ready to leave and so we do. I open the sunroof again and watch the sun grow back. I call my parents and we are mesmerized together by our memories. I keep looking up, and the saddest part for me is when the partial eclipse ends, and wherever you look, it is as if nothing has happened.
The first time a friend of mine went skydiving, I was 17 years old and relieved I was too young to join her. But I put it on my bucket list. I wasn’t sure if I would ever have the courage to initiate such an adventure, but I knew there would come a time when people I knew would look to the sky and ask me to come along, when there would be an opportunity to say yes or no. And I would say yes, I was sure I would, one day.
I was also 17 when the sky drew my attention in a different way. I found NASA’s website on eclipses, the world maps with the splashes of red and blue that can turn anyone into a dreamer. No one knows for sure what her life will bring even tomorrow, but I knew what the sun and the moon would be doing in 10 years’ time, and I was determined to be there to see it. Long before anyone called it the Great American Solar Eclipse, I was joining my first group in the early days of Facebook and committing the far-off date of August 21, 2017, to memory.
And then I settled in to wait. Wait for time to pass, wait for courage, wait for other dreams to emerge, to incubate, to come true, to die.
There is romance in the narrative of dreams fulfilled. Until fulfillment was almost upon me, however, I didn’t realize how much I wanted them to be fulfilled in certain ways. It wasn’t enough to be in the right place at the right time, or to do an activity that hundreds or thousands of people do every day. I needed to bear witness to everything, everything happening around me and within me, every nuance of light and shadow, of falling and flying, of fear and joy and sadness. It’s a fearful pressure, an enormous responsibility, a catch-22 that inspires me to be more fully present while at the same time the fear of missing something can make me too anxious and preoccupied to be fully present. To trust that by “just being” I will gain everything I need to know and remember is a dance I have not fully learned.
Skydiving involves less than a minute of freefall, and then it’s a canopy ride. The total eclipse is bookended by hours of waxing and waning, but only two-and-a-half minutes of the high drama of darkness.
When a decade’s worth of anticipation is all over in a matter of seconds or minutes, will you remember what it looked like, what it felt like, or will you just remember the anticipation and the aftermath?
I saw the total eclipse in August, and I went skydiving in September.
Of course, the numbers didn’t necessarily mean anything. Maybe there were extenuating circumstances, like the high mountain air, or stress, or lack of stress.
Except there weren’t, and I knew it.
“I do not want to be a 1,” I wrote in my journal. “It feels akin to saying I’m not creative.” I kept writing until more than two pages were filled with my frantic, angry thoughts on this otherwise quiet night.
Before I completely lose you, here’s what’s going on: I’m talking about the Enneagram, an ancient personality typing system based around identifying one’s basic need and basic fear. The core motivation for each of the nine types shapes how that type navigates the world. Each number has healthy and unhealthy iterations, and each number comes with fully realized steps toward growth.
Some types are more withdrawn, while others tilt outward; some are dialed in to their feelings, while others are more detached; some are prone to anxiety, others to anger, others to shame. But before I am run away by Enneagram minutiae, by triads and wings and arrows and the like, let me turn your attention to the book that inspired the above late-night reflections:
My hopes were high when I caught wind of this book, and it didn’t disappoint. This relatively slim volume is a great introduction to the Enneagram. Filled with real-life examples, a down-to-earth, conversational tone, and an easy-to-follow structure, it brings each of the nine types to life in a fresh way.
The knowledge and experience that grounds The Road Back to You is translated into stories of people we know: husbands and wives, sons and daughters, friends and co-workers … the person in the mirror. It’s also rich in application: Each chapter starts with a list of “What it’s like to be a __”, and ends with “Ten Paths to Transformation.”
This was by no means the first book I’d read on the Enneagram, but it is the first I will recommend to those new to the subject.
Over the last year and a half, I’ve logged multiple books, articles, podcasts, and even seminars on the Enneagram. And in all this time, I haven’t locked onto “my” type. I’d heard that discovering your type feels more like a sinking realization than an elated epiphany, but I felt torn between my warring logical and creative sides, unable to discern which was stronger, or came first, or was most likely to exert its will at dusk and at dawn.
What made it harder was that I despised that part of myself that turned everything into a plan or a list, that became a human fact-checker and detail-monitor as I slouched over computers or, in olden days, sheaves of paper. I couldn’t stop, deep down didn’t want to stop, even as I felt dullness and exhaustion creep over me, even as I wondered why I wasn’t spending time on what mattered most to me. Surely here was death, not life.
Here is my sinking realization, here is the box I need to transcend and redeem. Here is where it gets worse before it gets better.
(Not to demonize Ones, who can also be big champions of justice, and bring needed precision to their fields, among other things).
Now, I’m not completely convinced that I’m a One, but either way this turn of events has illuminated traits that I wished away while trying to convince myself that I was only a dreamer, a romantic, a creative. I am both. I have a shadow side, and ignoring it won’t make it go away.
I enjoyed reading The Road Back to You, both for its insights and for the way it brought the Enneagram a little closer to home. There’s something here for both the casual reader and the Enneagram aficionado. Here’s to the next stage of the journey!
My drive to work is nothing special. It starts with a nondescript road, grey and industrial and mostly quiet except for the semi trucks that sometimes congregate at the stoplight. Only, if I remember to look down when crossing the river, down and to the right, I smile.
It’s my recurring phenomenon across the suburbs, across urban and residential areas, across the very heart of the city.
Certain intersections are dear to my heart, certain crosswalks and parks and even train stations. I once made meticulous plans to be at those intersections, to be at those crosswalks and parks and train stations, and when I find myself there again by accident, it feels like a secret and a surprise.
I should venture out of the city a little more. I should seek out longer stretches of dirt and fresher air and closer proximity to the mountains. Denver is big, but it’s not that big. It’s beautiful, but it’s not that beautiful.
But I love it. I love this way of discovering my town. I love making my own loops and dipping into tiny parks and looking in vain for a sign with my last name on it. I love involving public transit when I can, fiddling with my armful of gear in the mornings and keeping downwind from other people in the afternoons.
More than anything, though, I love the stories that write themselves when I run — memories upon memories, tied to place: This is where I saw the deer, on that side of the snow-covered bridge in Cherry Creek State Park. This is where I almost cried listening to The Liturgists Podcast, these two laps around City Park on that hot March day. And the most common story: This is where I went the wrong way and got lost.
But I was always finding things too.
Some I found simply by going to certain places at certain times and paying attention. It’s the feel of the wind at night, warm and wild against my face, hours before the storm hits and the snow blankets everything. It’s the sight of the most beautiful sunrise I’ve ever seen on the morning of my first marathon, a beauty undiminished even though everything else went wrong that day. It’s a series of quacks and rustlings and big skies and horizons. It’s life at its zenith, in me and out there.
I found within myself the usual things people find when they spend months training their bodies in strength and stamina, all the exhilarating and painful and confident and exhausting and stubborn things. I found a clarity that surprised me, an ease in decision-making while on the trail. I learned what I was capable of, and I learned when it was worth it … and when it wasn’t.
Not everything about running has been glorious or even good, but for many of the months I’ve lived in Colorado, it’s been one of the truest parts of my life. Even in the staggering and the struggling, the long middles and the early mornings, it was the X that marked the spot. So I look down and to the right, and I smile.
Addie Zierman’s second book, Night Driving: A Story of Faith in the Dark, officially came into the world one week ago Tuesday. It arrived on my doorstep that night, and as I absorbed myself into it, I found myself within its pages. Like her first book, When We Were On Fire, it took me to familiar places, hard places, true places.
Like Addie’s debut, Night Driving is a memoir. This one chronicles a spontaneous road trip she took two winters ago with her two young boys, to escape the darkness of her even-colder-than-usual Minnesota home for Florida light … to escape the darkness and emptiness inside her to maybe, just maybe, find a Light she could take back with her.
The book flits between past and present, and I was carried along on interstates and into strangers’ homes. I was carried to beaches of yesteryear where fire lit the sky, lit the heart, and to beaches where the rain thundered down, where nothing was as simple as it used to be. Night Driving is achingly beautiful; Night Driving is achingly real.
It seems fitting to be writing about this book in the cold of a Colorado blizzard, in the darkness of Holy Week, in the sparseness of my own soul.
The morning after I finished the book, I found myself flipping back, a few chapters at first and then all the way to the beginning, filling three pages deep with quote after quote. I was going to share a few of my favorites, interspersed with reflections on why these particular words are meaningful to me … but then I realized that you don’t need my words right now, that what you need are Addie’s words, full stop. And so, here they are:
“In the dark kitchen, I feel as if my eyes are finally beginning to adjust. And I’d forgotten that this is how sight works. We move from someplace very bright to someplace very dark, and for several minutes it’s very hard to see. But then the pupil expands and the rod cells engage, and the whole eye is flooded with rhodopsin, and we can finally absorb photos, perceive light. I’d forgotten that we are made like this. We are equipped to see not only in the light … but also in the darkness. It just takes time to switch between the two.
And maybe this has all been nothing more than part of the natural process of things. I spent the formative years of my life, my faith, looking straight into the Light. It only makes sense that it would take my eyes a while to heal from that burning and to adjust to a world that so often is dark. But now I’m sitting at the kitchen table, blinking in the darkness, and God’s presence doesn’t feel at all like fog lights or romance or smoke or fire. It is as steady and commonplace as the wooden farm table between us, at the floor my feet brush against, the slant of the oven light barely illuminating the table. It’s almost pitch-black. I’ve never seen so clearly.”
Night Driving, pages 195-196
“I feel like I’ve spent the last several years twisting and turning the puzzle pieces of my faith, trying to get them to plug up that ‘God-shaped hole’ that is still throbbing like an abscess in my heart. But it never seems to go away – no matter how long I sit there, Bible in my lap, staring out the patio door of my kitchen, waiting. … ‘All sins are attempts to fill voids,’ Simone Weil said, and at some crucial point that I can’t actually remember, I figured out that burning down your own life felt strikingly similar to being on fire. That if I couldn’t shoot the gap via that bridge which is the empty cross, at least I could pour wine down into it. Such an easy shortcut. Such a simply fix to get tipsy on cheap cabernet and smile at some guy on some street and feel myself float to the top of that gaping, empty space in me – at least for a little while.”
Night Driving, pages 126-127
“It’s like this: Once upon a time, I learned that God came like light. I spent a long time, head against the window, peering into the darkness, praying for God to come like a spotlight, like a fire, like some wild laser show in the pitch-black sky. I learned to fear the darkness, and when it came, I struck myself against everything around me trying to make sparks.”
Night Driving, page 208
“I hadn’t understood, then, that love doesn’t always look like romance and faith doesn’t look like fire and light doesn’t always look like the sun – and that this matters.”
Night Driving, page 209
You can find out more Addie and her book at addiezierman.com, and you can find Night Driving on Amazon (or wherever you buy books).
Also, a GIVEAWAY! I have a copy of Night Driving that I’d like to give to one of you. If this book sounds like it’s for you, simply post a comment on this blog post, and you will be entered in the giveaway. On Easter Monday, I will randomly select one winner (so make sure you include your email address in your comment, so I can contact you if you win).
UPDATE: The giveaway has ended. Thank you to everyone who participated!
Is it strange that I miss the darkness that sucker-punched my soul?
This was four years ago. I was living overseas, six months split between two continents, saturated in Christian community that was young and fiery and expectant. I was young and fearful and depressed, but this was my chance. This could be my cure.
One day, we left our drafty English manor with its roast dinners and familiar faces and small groups for the Midlands, for Coventry, for Evangelism Week.
During the day, we threw ourselves into creative evangelism and indirect evangelism and woo-woo evangelism. At night, friends and strangers slept beside me on the carpeted church sanctuary floor, but I couldn’t sleep.
Do I really believe what I’m trying to get everyone else to believe?
The door was opened, and oh what blew in! I lay on my half of the air mattress and tried to keep my breathing steady and my body silent. For the first time ever, I was seriously considering walking away from Christianity. And my soul gaped and gasped and trembled as it realized what all that would mean. This wasn’t a drill.
At the time, I would’ve given anything to close that door.
Now, I want to open it again.
The darkness was wild and terrifying and bleak, but it also blew away illusions and assumptions and meaningless hypotheticals, at least for a time. I learned how to be honest with myself and others, how to be awake to my own soul. What I learned in the dark, I carried with me into the light. The darkness was fierce, but so was the light, and I wonder if they needed each other.
Today, I’m so tired. The darkness is not a sucker punch to my gut anymore, but rather weights on my chest that keep getting heavier and making it harder to breath.
Every so often, something breaks through the fog. Every so often, a Lenten hymn or a line in the Creed will catch in my throat, catch on something inside me, and I won’t feel quite so tired that evening. But all too soon, I’m drifting off again, and it’s getting harder and harder for anything to rouse me.
The loop starts again, that cynical loop, whenever anyone bumps the “Play” button. But by now I’m bored by the sound of my own voice. I’m dragging, dragging, dragging, and experience tells me that nothing will happen unless I can somehow make it happen. Someone asks me if it’s faith or fear that keeps me here, and I don’t know, it’s all tangled together. I’m too tired to try anymore.
This is not the darkness that blows open doors and knocks me flat, for good or ill. Rather, this is the darkness of closed doors and stale air. Maybe one day I will find good in this too, but I can’t help but think that the door needs to open again, whatever may lie behind it now, even if it scares me. Even if I die a sort of death in the process.
Who knows what the morning will bring, or the evening.
The illusion is broken: I can’t always trust myself. Sinking deep into the beats and even the palpitations of my own heart was always my saving grace, my peace and my candle and my anchor.
Maybe it’s just that I haven’t had enough time to sift and plunge into the clamoring silence with my bare hands. Maybe I didn’t go deep enough, maybe my eyes weren’t clear enough, maybe I wanted it too little, or too much. Or maybe not. Maybe it was always going to implode, no matter what I did or didn’t do.
I’m always trying to convince everyone, myself included, that I’ve got this. I don’t need you, at least not in the way a dripping, panting person needs water, the way a purple, choking person needs the Heimlich. No, I only need you in the way the organizer of the world’s largest bake sale needs another plate of cookies: “Sure, if you want to fill that tiny corner of the table, go right ahead, but by all means don’t trouble yourself, we’re really fine with what we’ve got. But while you’re here, can I interest you in a macaroon?”
I am unraveling because I’m realizing that taking every feeling and sticking it under a magnifying glass, or carrying it headlong through all the corners of my mind, or simply staring it down in a confined space, sometimes muddies the waters instead of clearing them.
I’m unraveling because I’ve run out of road.
I’m unraveling because I’m considering the very real possibility that I have fewer inner resources than I thought I did to combat everything that is kicking me from the inside out. And, horror of horrors, maybe those “inner resources” are taking a few swings at me too.
What do you do when you’re afraid to lean heavy on anyone’s shoulder, but you also can’t lean on your own anymore?
This is where faith comes in, they say, I’ve said. You can lean on God’s shoulder. He will “never leave you nor forsake you.”
I’ve held onto the slim trunk of a water tree with one hand, straining and reaching out with the outstretched fingers of my other hand. I’ve turned full into the wind and let it flatten my face, let it sting my eyes, let it enter my lungs. I’ve cried and prayed and written thousands upon thousands of words. But after a while, my eyes dried up and my pen dried out and though I didn’t give up, exactly, I didn’t know how to sustain such desperate hope. Especially when I couldn’t hear anything certain coming back to me across the gap except my own voice, thinner on the return.
All I know to do in times like these is shut my eyes when everything else is dark, and open them again when light returns. I find ways to stay warm and I look for that which nourishes me. And I try not to spend too much or too little time with only myself for company.
How quickly light can turn to shadow. How sudden seems the unraveling.