When I first watched my skydiving video, I couldn’t help but cringe a little. Even now, I find myself wishing for the removal of some frames and the addition of others.
The angles aren’t great, I stick my tongue out at one point, and I’m gaping and gesturing like a child. I’m embarrassed that I’m embarrassed, because isn’t it enough that I went skydiving and it was magical?
I want to control the way I look when I’m feeling a lot of emotion, or at least control how I look in the images meant to capture that emotion and carry it out into the world. I want to look open but not too open, happy yet composed, and please no awkward facial expressions or ugly crying or anything else untamed, unkempt, unhinged.
But the most moving photography of humans captures the real, raw moments. I have rarely seen such unbridled joy on my face as I did during the freefall, but I find it hard to see the beauty, to be moved by my own childlike, unmitigated wonder. I worry what others will think, that they will laugh or be uncomfortable, that I will laugh or be uncomfortable and miss out on every re-experience of Magic.
I wasn’t worrying about it at the time, but I was worrying in Alliance, Nebraska, a few weeks earlier. This was the day of the total solar eclipse. I wasn’t worrying about how I looked, but I may as well have been.
It’s hard to capture a moment and still remain fully present to that moment. That’s why I didn’t even try to photograph the eclipse. But I did want everything to be just so. I was aghast that the people around me proceeded to talk through all of totality, that cameras were clicking and distractions abounded. I wished I were on a hilltop, alone. I wished everyone was reverent and solemn in the ways I thought they should be reverent and solemn. I wished to fall into a sun-trance, but I seemed thwarted by externals.
Sometimes everything comes together splendidly, and yet it’s not enough. We feel too much or too little, or we look like we feel too much or too little, or our attention is diverted just enough that we feel, somehow, that our experience didn’t count.
I can never, it seems, experience something just once and be satisfied. The high demands I place on Magic are hard to fulfill.
And yet, Magic, Magic is everywhere. I have always loved the true stories of breaking through what we thought were barriers of the natural world, of going beyond where we thought we could. Apollo 13 was the first movie I saw in theaters, at age 6, and in college I jumped at the chance to take a niche course on the Space Race of the 1960s.
I am thrilled to the bones, moved to tears, by stories of these explorers and risk-takers. In these stories, there is a First around every corner, one moment and then another of breathless anticipation and water in the eyes. I watch my own skydiving video and I attach it to the more dramatic music in the company’s promo video, I attach it to Launch music and Leaving Port music and every other song I can think of that bespeaks adventure, so that the moment when the song reaches its crescendo is my Moment of leaving the plane.
No video or picture I’ve ever seen has done justice to the magic of skydiving, the magic of a total solar eclipse. They say a picture is a worth a thousand words. Dare I believe that collections of a thousand words could be worth pictures?
I dreamed about the eclipse several times before August 21st. Sometimes they were happy dreams: The sky did strange things, things that would never happen in the waking world, but I was there to see them. Most of the time, though, they were anxious dreams: I wasn’t able to find a place to stay along the path of totality. Traffic held me at a distance until it was too late. The weather was bad.
And it wasn’t just my dreams that held a sense of dread. I, who had known about this event for ten years, I, who should have known better, didn’t think to find a motel until most of them were gone. The eclipse was still months away, and I was already doing it wrong.
It was no longer a little secret between the sun and me; now, everyone knew, and they were just a little bit faster.
I was still an eclipse apologist, converting people and counting the days, but all the worst-case scenarios hung about me, the reminders that foreknowledge was no guarantee.
So there I was, spending the night on a field in middle-of-nowhere Nebraska, hoping like everyone else in this 60-mile stretch from coast to coast that I had won the weather lottery.
I wake up engulfed in cloud. Dribbling fog hides the sky, but there is hope, stronger than before, that the sun, the wonderful sun, will burn it all off long before midday.
Living in Denver, Colorado, the sunshine is our most familiar meteorological feature. Rain and even snow are welcomed as visitors, but the sun melts and dries and acts as if nothing else ever was or would be.
The beginning of an eclipse isn’t First Contact, when the moon takes its first, tiny bite out of the sun. No, it’s that morning when the sun comes up over the horizon, it’s when the clouds part and the sun, the whole sun, fills your world, and it’s a better pick-me-up than coffee, and The Beatles’ “Here Comes the Sun” must have been written for this time.
For the sun to disappear, it must first appear.
Less than ten thousand people live in Alliance, Nebraska. The main street is long and wide, and to the south is the train yard. As another train, probably a coal train, thunders by, I wonder aloud how many young people growing up here had, at one time or another, wished to take a train Somewhere Else.
The evening before, everyone seemed to be Somewhere Else. Traffic was light. A roadside booth and a K-Mart clothes rack showcased eclipse souvenirs, but otherwise the town was going about its rhythms with little interference, unless you knew where to look for the tents and the RVs.
And now, Monday morning, everyone is Here. Our makeshift campground begins to fill and the downtown coffee shop is already full and out of food.
You can’t see the sun from the big windows there, but you can see above the storefronts, and the ratio of blue to white is tilting in our favor. I sip hot chocolate or tea, one of the two, and I duck out once or twice to call my parents and look up.
My parents are with extended family in Albany, Oregon, doing the same thing I’m doing. They are an hour behind me, but today they are roughly half an hour ahead. I don’t reach them, but then it is time to put away the board game and get off main street, time to drive fast to the outskirts, me in the passenger seat opening the sunroof and tilting my head back, watching, watching for The Moment, but it is still minutes too soon, and we don’t miss anything at all.
Here comes the moon, do do do do.
A man on a loudspeaker announces First Contact, and for a few seconds I can’t tell which direction the moon is coming from. And then there it is, and the orb is no longer quite an orb. It is like seeing the moon go through its stages, only faster and more dangerous.
I have never seen a partial solar eclipse before. The closest I got was in Shanghai, several years ago. An annular eclipse would begin in southern China after sunrise, then cross the Pacific Ocean and pass over my hometown in northern California before sunset. I was thrilled at the chance to see the same celestial event my family would see from the other side of the world, even if only in partial form, but it was not meant to be. City lights and city smog shielded the sky, but perhaps it was just as well as I had no way to look at the sun safely.
Today, I have my eclipse glasses and they have theirs. We have both traveled to see this sight, and it is now that I reach them, for a few minutes when I am seeing a small sun and they are seeing one smaller still. We watch the waning together, and then I leave them for their totality and wait for mine.
I sit and stare for a few minutes, and then jump up and put on sunscreen, or throw a bag in the car, or look around at my fellow sun-gazers and this bit of green we are choosing to remember for the rest of our lives. It is about an hour and fifteen minutes, this pre-show, but it goes by so quickly.
Little by little, the lighting begins to change. There are no trees to cast strange shadows, but it is as if it is overcast, the sun behind a thin cloud, and then a thicker cloud, but all the actual clouds pushed to the edges, the sun high and alone at midday but for the moon. I need my sweater and I can’t contain my joy.
All that light becomes an ever-more-focused sliver, and it looks a manageable orange through my glasses, not the fiercest yellow that ever there was. And there is so much strength even in this tiny ray.
I know in my mind everything I’m meant to be watching for, everything I want my surroundings to be so everything will fall away, everything except the sun and me, and we will have our little secret again. At some point, I forget about my lawn chair and it’s impossible not to be standing.
In the last seconds, the light goes slant and otherworldly, the sky darker but the ground brighter, like sun and smoke, or sun and storm, and then we can look up unprotected, or nearly, as the last of the fierce yellow glint disappears.
And there it is, the black moon, backlit by the sun’s corona, a soft whiteness that in some ways resembles the nighttime moon, but is its own wild and beautiful animal, not a reflection but a reveal.
We are caught somewhere between dusk and nightfall. It is pink at each horizon, and we are the epicenter, suspended just before birth or death or both. For right now we are in the front row seats, and there are no rows behind us. The world had changed slowly, almost imperceptibly, for over an hour, and then everything happened at once, and now time is stopped for almost two and a half minutes.
If I could only look at you for two and a half minutes, how much would I remember of the features of your face?
Is that enough time to memorize the features of the sky?
Everyone around me is talking or taking pictures or both, but I am silent and my hands are still.
This new world is only ours for seconds, and then everything will happen at once, again, and it will be gone.
When the sun comes back, the sun I knew before, there are fractions of a second when it doesn’t seem so bright, when I can take in the light on the edge, before I have to tear my eyes away for their own sake.
We are ready to leave and so we do. I open the sunroof again and watch the sun grow back. I call my parents and we are mesmerized together by our memories. I keep looking up, and the saddest part for me is when the partial eclipse ends, and wherever you look, it is as if nothing has happened.