“Did you know that Lizzie used to work for Focus on the Family?” he said, she said, with a gleam in their eyes.
It’s not a secret, my internship from last decade, but it doesn’t come up often. When it does, though, it’s a conversation starter, a newsworthy item for my friends to pass along. I don’t fit their picture of someone who once worked there, you see.
Even at the time, I didn’t really think of myself as working for Focus on the Family (FOTF). I was there for Adventures in Odyssey; nothing else at the organization held much appeal.
Adventures in Odyssey (AIO or Odyssey for short), Focus on the Family’s seminal children’s radio drama, turns 30 this year – today, in fact. On this day in 1987, a 25-minute episode aired about a boy named Davey who feels like a failure until kindly shop owner John Avery Whittaker (“Whit”) helps him realize his worth as they invent something that goes wrong before it goes right. The story, set in the small, Midwestern town of Odyssey, is bookended by a skit with the show’s host, Chris, who tells a story about Abraham Lincoln to reinforce the theme. “Whit’s Flop,” that very first episode, aired one year and four days before I was born, and all my life the show and I have been moving in tandem toward our own milestones.
Can I say I like Odyssey but not Focus on the Family, as I would say I like Jesus but not Christianity?
No, I didn’t think so.
It’s a poor comparison anyway. Odyssey was birthed from Focus on the Family and, like it or not, is a product of its parent organization. Jesus, however, wasn’t always entangled in Christianity, especially not Christianity as we know it today. But that’s another topic for another time.
I do know that I’m not the only one who has been able to partition the two, approving the one and rejecting or ignoring the other. A college roommate was vocal about her dislike for Focus on the Family, but made an exception for AIO.
Even when I was jumping at the chance to be an intern for my beloved radio drama, back in the day when I believed what everyone I knew growing up believed, I was still taken aback by the interview question asking “what my opinions were on the five major issues most important to Focus on the Family.” I bumbled through the answers I knew they expected of me, without much thought as to whether they were really my answers.
Lately, it’s gotten harder to separate the AIO from the FOTF. But once upon a time, it was just Odyssey tapes, Odyssey at 4:30 on the radio, Odyssey before bed and on car rides, and, later, Odyssey on message boards and at events. But I’m getting ahead of myself.
From its earliest days, Adventures in Odyssey has employed some of the best and most versatile voice actors in the business. This is not hyperbole. The show’s main actors include (or have included) Hal Smith from the Andy Griffith Show, who also lent his voice to Beauty and the Beast and An American Tale; Alan Young, best known as Wilbur in Mister Ed and as Disney’s Scrooge McDuck; Will Ryan, featured on The Adventures of Teddy Ruxpin; Katie Leigh of Totally Spies; Chris Anthony, the former voice of Barbie; and Jess Harnell with his hundreds of film credits, including Wakko Warner in Animaniacs. These actors and many others have or had extensive careers, spanning decades, and it still chokes me up how many of these people have passed away since I first “visited” Odyssey. I have met many of the actors as an adult, but I was too late for some of them.
I once joined a Facebook group that probably doesn’t exist anymore, about how “Adventures in Odyssey was the soundtrack of my childhood.” I didn’t grow up with Saturday morning cartoons or Boy Meets World or whatever else my peers were watching in the ‘90s. Odyssey was a cozy backdrop to my life, but it was just a backdrop in many ways, piping from the tape deck on the dining room windowsill while I would color and make lists and watch fat squirrels eat birdseed from the feeder in the backyard, filling my long-term memory and stealing my heart.
Later, I would discover Odyssey’s ability to keep me on the edge of my seat, I would get up early on Saturdays to catch the new shows, I would pull out my old cassettes with stronger feelings, I would catch the pop culture references that had once eluded me. Still later, on the verge of college and the verge of leaving Odyssey behind me, I found a fan message board, and everything dormant and untapped in me found its home and sprang to life.
In 2008, my first visit to Colorado for the 20th anniversary live show became one of the best weekends of my life. I met the actors, the writers, and fellow fans, many of whom I’m still in touch with. In 2009, I spent my summer interning for Odyssey and administrating the above-mentioned message board, and then returned to college and promptly started a club for fellow fans. We made video reenactments and went on a road trip to Colorado and even brought one of the main actors to our Indiana campus to speak in chapel.
This was the zenith of my love for the show, and my nostalgia for that time of my life is matched only by my nostalgia for the show itself.
I was never on fire for Jesus, not really, but I was on fire for Adventures in Odyssey.
Life seems a simpler place when you know what you love and you have ways of expressing that love.
I wouldn’t go by “Lizzie” now if it weren’t for the show, and I might not be living in Colorado. I might not have changed my major to media communication or worked in radio or spent three months in China or done a whole host of other things. Adventures in Odyssey helped me keep my head above water in times of deep depression. It brought about friendships that never would’ve formed otherwise, leadership roles I never would’ve accepted. Directly and indirectly, I have Odyssey to thank for so much joy in my young adult life. I will never forget this. To me, Adventures in Odyssey is much more than the sum of its dialogue.
And it was a dream come true to meet the people behind the voices and the people who wrote and directed and made magic with sound, to work with them in some cases, to go behind the scenes, to know and be known. They are lovely people, thoughtful and professional and funny.
As for the episodes themselves, the writing quality ebbs and flows, as it does in any long-running production, but I’ve found a lot to appreciate: How to craft a story arc, how to tell a story with sound, how to move forward when the actor who plays the main character dies suddenly.
I haven’t listened to any new episodes for a few years. This is partly because the aura of nostalgia is missing with the newer shows. Every semi-reboot has sawed off more of the glue binding my fate to the fate of the show, which I suppose is only natural when the child grows up but the show does not. I am also skeptical about any program’s ability to carry on indefinitely and still remain a high-quality production. The longer I listen, the more déjà vu I experience.
When I was younger, I hoped Odyssey would still be producing new episodes if and when I had kids. Now, if I ever have kids, I would want them to listen to some episodes but not others.
You see, I am not only out of the target age range, I am also out of the target ideology range. The segment of Christianity that AIO is a spokesperson for is one I am no longer a spokesperson for. I used to think Odyssey was good at avoiding denominational squabbles and sticking to the basics of the faith. However, because this show and its parent organization focus on conservative evangelicals and conservative evangelicals focus on them, it’s a narrow list of squabbles that are avoided, a narrow list of “basics” that are adhered to. Christianity has many different expressions, interpretations, and practices, but you wouldn’t know that from listening to the show.
In this make-believe world, the conservative Christian worldview and its applications have no baggage, no side effects, and no viable alternatives. All the characters are so nice and well-meaning, their faith clean and tidy and straightforward. There are some episodes that show a cognizance of the things we do not know and that hold certainty loosely, but the farther I get from my “on fire” days, the fewer stories I see, past or present, that do a good job managing that tension. More often than not, it’s oversimplifications and assumptions, and even though I find it’s usually lines here and there that trouble me rather than whole storylines or episodes, those lines add up.
This is not an “open letter” or a rant. I am not going line by line through episodes to point out everything that makes me cringe now. I know everyone is doing the best they can with what they have. Odyssey has gotten better over the years at portraying more diverse characters, more diverse families, but I still see room for improvement.
I have deeper problems with Focus on the Family as a whole, of the choices they make politically and the ways they choose to engage culture and the world. Their pictures of the ideal world or family or culture are not my pictures. When I listen to AIO now, I notice things I didn’t notice before.
Sometimes, though, I am noticing good things. I recognize how a three-part mystery from the mid-90s is all about championing differently-abled people. I am moved by unflinching stories about the Underground Railroad and the Fisk Jubilee Singers. I appreciate the nuanced handling of subjects such as forgiveness, doubt, and grief. I go on everyday adventures with the characters as they take vacations and learn how to drive and fall in love. I go on extraordinary adventures with them as they solve decades-old mysteries and foil the bad guys who want to take over the world. And the best of the Bible story adaptations capture a glimmer of why Jesus is so appealing to so many people.
I can’t help it. I will always love Adventures in Odyssey, even when I have trouble liking it. Whit and Connie and Eugene, Tom and Bernard, Jack and Jason, Jimmy and Donna and George and Mary, they all feel like real people, real friends and family members, even when they fight, or maybe especially when they fight. I’ve seen the same warmth and camaraderie in the recording studios as I see in what comes out of those studios, that sense of connection that we all long for, and this is perhaps the epicenter of my nostalgia.
I would like to think that if these characters became living and breathing people, they would not fall prey to the us-versus-them polarization rampant in our country today. I would like to think that I could have a conversation with Whit or Jack, that, despite our differences, we could sit down over milkshakes for a heart-to-heart, and they would really listen, and by understanding more of the Other with our heads and our hearts, we could change the world a little at a time.
Happy birthday, Adventures in Odyssey.