Awake and Asleep: Joy and Discovery

car emerging from tunnel
Photo by Martin Fisch, flickr’s creative commons

You arrange to meet for coffee, to come over and watch a movie, to play games. You are invited to the party and you have a few threads for the person next to you, a few yarns for the whole group, a few revelations to give and receive. You go to the dinner party and you pinch the dumplings closed before shoveling them into your mouth, laughing with three friends across the table, three good friends from across the world.

You page through your journal and realize that these memories are underrepresented, that more painful ones take top billing, that you’ve written about the same hard things over and over again. It was something you needed to do, you admit, but your life this January, this February, holds more than that.

Don’t forget today, you tell yourself. It’s 3 o’clock in the morning, but you are high on life and you don’t care. Somehow, you don’t think you’ll regret lying on your back, holding your brand-new memories lightly, because they are light. There is nothing rough mixed in, no desperation to clutch every word as if it were the last of its kind.

And it’s not just today.

You eat ice cream on what was then the coldest night of the year, wearing pajamas you borrowed from your friend. You prop up your head with your hand, flattening the pillow under your arm, and talk until the snowplows scrape down Genesee Street.

You are leaving campus when you see a friend of yours sitting at a table. You stop and say hello, and before you know it you are in a coffee shop sipping a chai latte, lingering until closing time, and not just to avoid the wind. You didn’t realize until now how much the two of you have in common.

You stop by the office for a moment and stay almost two hours, until you absolutely have to leave. You pick up the threads of a conversation that started months ago, your favorite sort of conversation, comparing notes and reminiscing about the children’s stories that no one else here knows, the questions that have answers and those that do not.

You drive on two-lane roads to what must surely be the center of the state, two hours there and two hours back, but even though it’s a cold, rainy night, you are in no rush to be home again. You can’t remember the last time you talked this freely for this long without knowing in your bones that it couldn’t last, that it was too good to be true. “I could talk to you about anything,” she says. You believe her, and you agree.

It’s 4 o’clock now. You plug in your headphones and play the old Mozart piece “Rondo Alla Turca” on your new digital piano before finally drifting off to sleep.

Awake and Asleep: Depression and Loss

Bridge over a creek in winter
Photo by Mike Christoferson, Flickr’s creative commons

You wake up one morning feeling the weight of the world, or the weight of your world. Maybe it was a dream that made your eyes snap open, made your heart sink, but you can’t remember. It’s your first time being rested in days, but you don’t feel rested.

You haven’t been taking care of yourself the way you promised you would this semester, and not just with the whole sleeping thing. Your kickboxing gloves still lie, dusty and cold, in the back seat of your car. You only have microwave dinners and you aren’t reading the library books that promise escape or introspection or both.

You are writing, though, I’ll give you that. You’ve produced an impressive amount of pages in a short amount of time, pages in your journal, pages in the word processor, more files than you can count on two hands, but at this point, sometimes, you feel like you’re just going around and around in circles, as sad music plays and you’re forever swiping left past the faces of Central New York men who couldn’t interest you less.

You are also seeing your friends here more often. That’s big, you remind yourself, these late-night conversations and round-table dinners and coffee-shop confessionals. It’s more than last semester. Maybe you’ll be sad to leave Syracuse after all, 100 days from now.

You have been rising in the ranks. Your name is attached to more projects and known to more people. The future is still hazy, but there is a distinguishable hue to it now. You don’t say, “I don’t know” anymore when people ask you what the plan is after graduation.

But you wish you cared a little more about what is happening here than about what you’ve left behind. You spent so much of your winter break dreading the return, only to find yourself displaced in the places you’d once called home. A lot can happen in five weeks, and a lot did happen in five weeks.

Melancholy can be a comfort when you can see the arc of loss and tell the story and point to a specific person or event, to a before and after, and you can almost believe in the healing passage of time. But that nameless lethargy, with no beginning or end in sight, is less sexy. Depression has no juicy details. It is the difference between felt pain and the absence of feeling, between the past and the present, between being awake and asleep.

It is winter in America’s snowiest city, and you are awake and asleep.

Future Dead Girl

Carr Fire
Photo of the Carr Fire, taken by Ted Goldsmith

It is 113° in Redding, California, and the Carr Fire continues to burn, destroying boats at the marina and buildings to the west, and filling the sky with ash and smoke. Those who haven’t been forced to evacuate stay inside to keep from breathing it in.

Blood-red skies and flickering horizons bring perspective, especially if it’s your family holed up in a motel hoping their home is still their home at the end of it all.

As all fires worth knowing about tend to do, this one leapt out of control quickly. As far as I know there haven’t been any casualties at this time, but there are no guarantees.

 

A week ago, I dreamed that I died. It wasn’t a dream of monsters chasing me, but it felt as real as those nightmares often do. I was in the liminal space between death and life; time had stopped, the time had come, and I was about to find out what really happens when you die. I only knew it was a dream when I woke up, and then I couldn’t stop thinking about it.

“Have you ever almost died?” It’s a question that surfaces on social media and road trips, and like others I have stories I dust off for just such occasions. Those of us who haven’t gotten nearly as close as we think we have laugh about our near-misses, but it’s only a temporary reprieve. I am a future dead girl.

Those who were once living wrote about beautiful and terrible places in their sacred books, but whether they have gone to those places, I don’t know.

We will all die, but we don’t like to talk about it, except in the wispiest of language. Maybe that’s why we love stories of resurrection so much. In fact, I’ll be telling one myself soon, with my fancy editing tools, and with my body. The camera will find me lying on a table, still and gray, then it will move close to my face, and, just as we planned, I will open my eyes.

If only it were that easy.

David Tennant and Saying Goodbye

mailbox
Photo by marc thiele on Flickr’s creative commons

Ten years ago, I thought it would mean everything to see my favorite voice actors on a stage from a distance and in an autograph line for a moment. But that didn’t mean everything. The greatest gift came when they gave their time in hotel lobbies and conference rooms, letting us witness their own reunions with each other, and inviting us into their lives.

And if you know my story with Adventures in Odyssey, you know how the gifts kept piling up: gifts of time, of words, of moments, of remembrance, with these very same voice actors, and with others who work with them, others who love them.

June 17, 2018, wasn’t August 16, 2008, but then again, it couldn’t be.

Other than those Adventures in Odyssey actors, there was never really anyone famous I wanted to meet. Well, there was one. If he ever came to town, I knew I would pull out all the stops to be there, but it was a dream I didn’t think would come true. But then he did, and so did I.

It meant the world to me to meet David Tennant at Denver Comic Con. He is every bit as lovely and generous with his fans as I hoped he would be. I stood at the front of the second overflow line for twenty minutes, which meant I had a clear view of him shaking hands with people and listening and signing bits of cloth and paper. And I saw the looks on those people’s faces when they walked away. It was beautiful to see his commitment to being fully present to hundreds of people, even though he would never see them again.

Memories are still beautiful even if only one person will remember them, but they are also bittersweet.

Celebrity is a strange thing. How much we will pay for 10 seconds of conversation, or a greeting and a flashbulb that gives us a glossy photo to pin to the wall. How much I paid for these things, and how I kept grasping for ways to be remembered: a clever word, spoken; a hundred words, written and given.

But there was not enough time, or words, or moments, or remembrance. This is how it is. But I still couldn’t help repeating our conversation to everyone who would listen, in hopes that I would remember every word. And I can’t help the tears in my eyes now.

It’s only natural to want to meet someone whose work has made its mark on us, whose art has tapped into something deep inside of us, or even someone whose life seems to overflow with goodness. We feel like we know them, and we want to meet them and tell them why we are different people because of them, but we have only seconds, and we are not fully ourselves for even those seconds, because we are weighing every word, we are starstruck, we can’t believe it’s really happening.

There’s not enough time, I thought while driving home, in the throws of an emotional hangover. There’s not enough time. And then I realized that I wasn’t thinking about my favorite actor anymore.

I am saying goodbyes now, as I prepare to move to New York in a few days, but I am in denial. I am giving a clever word, spoken; I am giving a hundred words, written. These are the words that matter most. David Tennant is a wonderful person, I’m sure, but he has people who are actually in his life to tell him this. He doesn’t need my card, even if it does encourage him. He doesn’t need my wit, even if it does amuse him.

But the time, the words, the moments, the remembrance, matters so much more when they are shared, when they are building a house for both parties. When we can be fully ourselves. When it is up to us to speak life into the person across from us, because they are our loved one, or because they are one who needs love, or both.

I treasure the memories of those flashy days, those once-in-a-lifetime handshakes, but they aren’t the only beginnings to celebrate. I most want to remember the beginnings that led to middles of new faces becoming familiar and small talk lengthening and days turning into nights and all the while we are together still.

There’s not enough time.

June 17, 2018, wasn’t August 16, 2008, and neither of those days was the one when I drove to the northernmost reaches of Denver to attend a meet-up group, or the one when I was one of two people to bring strategy games to a party-game gathering, or the one when I braved the snow to visit the nearest house church. But then again, they couldn’t be.

A Monastic Retreat, in Moments

The website for the Retreat House at St. Benedict’s Monastery isn’t perfect. Everything I need to know is there, but it is not the most beautiful design or the most efficient layout.

But I don’t need it to be beautiful or efficient.

Sometimes, the real thing is so full of glory that no matter who is telling you about it, or how, the glory will seep through. This is that sort of thing, where nothing earnest can be misrepresented, where even the blurriest picture will cause us all to gather around.

 

I fill my arms four times and carry food and suitcases and books to my room. I know there are mountains outside, here in Snowmass, Colorado, but it’s too dark to see them. I stack my books high, and there are too many for one pile.

This is the day after Easter, or rather the night, and the Retreat House is empty except for me. Everyone came for Holy Week, and the second of April isn’t Ordinary Time, but it seems it may as well be to everyone else.

 

I fill my journal with the past and the future, with remembrances and visions. I truly pray for the first time in a long time. And as I fill in the rocks and plants and other features of a labyrinth in my coloring book, At Play in God’s Creation, my eyes fill with tears, and the decision I had come here to make, and indeed thought had been made, turns into grief and I let myself grieve.

Mount Sopris as seen from the Retreat House
The view from my room (Mount Sopris)

It isn’t always the story about the story, but it sure seems that way to me. I awaken to dreams and hopes, and then I fall asleep and sleepwalk through the grid laid before me. And then one day, when the sleepwalking starts to take a nightmarish turn, I wake long enough to remember and cup my chin in my hands as I take in the beauty in the distance, the beauty I could be a part of.

I want to come awake long enough to do good in the world, a good I can sustain because it bubbles up from the truest, deepest parts of me.

 

I only leave the Retreat House for Vespers (I thought about going to Mass, but I don’t know whether or not I’m allowed to take the sacrament, so I skip it). I try to take in the details of what I see and hear, not just what I feel. One monk sits on a cushion. Blue jeans poke out at the bottom of their robes, ending in sandaled feet. Sometimes I turn to the right page in the book and can follow along, but sometimes I lose my place and can only listen.

The services end in darkness and quiet, but the silence is not absolute. The monks greet us on the way out, and I find myself shy.

The church, as seen from the guest chapel
The church, as seen from the guest chapel/meditation room

I meet Sarah and Pat at Vespers, and they invite me to drink tea with them in their hermitage, a separate guest accommodation. It is the best tea I’ve ever had, a tea that actually tastes as good as it smells. And we talk about wistful things and tangible things, wise men and meaningful stories and standing in unfrequented spiritual spaces. And I know I am talking about my life as I wish it to be, my time as I would like it to be spent, not as it is.

We only have so much time in a day, time to decide what we will fill ourselves with and what we will spend ourselves on.

 

I pad across the thick carpet and lay on the floor of the Prayer Hall. The low lights make wondrous shapes and so do the wooden beams far above me, and the silence is deep. I take pictures and I walk back and forth, alone and at peace.

Lights and shadows in the Prayer Hall
Lights and shadows in the Prayer Hall

I feel like I am on holy ground. On my way out, I stop at the bookstore and pull objects to myself, trying to bring this place with me:  a book about this monastery, a CD of Gregorian chants, beeswax candles, cards made of pressed flowers that aren’t perfect in form, but are perfect for having been made here.

 

I keep craning my neck to see Mount Sopris, and looking hungrily in the rear view mirror. The mountain was before me three days ago when I was arriving, but in the dark I hadn’t known, hadn’t seen. And now I am stealing glimpses as I come down off the mountain.

Alone in Africa {A Story of Waiting and Advent}

Kenyan countryside
Kenyan countryside, from my bus window.

Two years ago, I flew to Nairobi for a dear friend’s wedding. It would be a whirlwind trip with only five days on the ground in Africa, my first visit to this continent. I would spend three days meeting Gracie’s new Kenyan family and friends, frosting cakes, and, finally, putting on a red dress and curling my hair to be bridesmaid. But for those first two days, I would take a bus to Mbale, Uganda, to meet Brenda and Remmy, my sponsored children.

My flight arrives late evening, and I only get a few hours of sleep before I have to get up to catch the bus. We drive as close as we can to the station, then make our way through the crowds, Gracie and her fiancée, Ken, seeing me safely on the bus before leaving.

I take one of the closest seats to the door, the stairs down and below my feet, the sun destined to bake me through the windows once it has fully risen. I am carrying two child’s backpacks, each stuffed with toys and school supplies and toiletries, along with my own clothes and my camera. I am bringing no books to read, only my journal and nine Advent cards with a picture on one side and a one- or two-sentence reflection on the other.

The day wears on, the sweat accumulating on my back and at the bridge of my nose. I see zebras on the side of the road once, and monkeys, and an egret and a cow lying down nose to nose. Short trees cover the oh-so-green rolling hills, and plots of land are marked as “NOT FOR SALE.”

I order the beans and chicken everyone else is ordering when we stop for lunch, and I struggle to understand the heavily accented English around me.

I catch snippets of bus announcements, and after a while, when the conductor mentions Kampala but not Mbale, I start to worry that I am not on the right bus. The conductor knows only a little English, so I call Ken on my basic phone, and he talks to the conductor, and then Irene, my local contact at the center, talks to the conductor, but the accents, rendered difficult in person, are nearly impossible for me to unravel over the phone.

Finally, I break through the communication barrier and learn that my first inkling was correct: We are driving north now, as we should be, but when we are still two hours from Mbale, the bus will not take that turn but will instead veer west, bound for Kampala.

I approach the conductor again with my phone, and after he speaks to Ken or Irene in their shared language, I press the phone to my ear, hearing all but understanding very little. I repeat this scene again and again, sometimes with another traveler instead of the conductor, and I piece together more and more of the plan we’re forming, while simultaneously second-guessing everything I think I know of that plan, worrying that no one else understands the situation as I do, that I will be stranded and forgotten.

But in between the phone calls, in between the stops, while this is still the road I am supposed to be traveling, I have nothing to do but watch and wait.

I see Kenya from my window, hundreds of people living their lives: Women selling potatoes on the side of the road, men sitting on the hillside while their sheep or cows or donkeys graze, children playing soccer and holding hands, people walking, walking, always walking. Sometimes, a child skips instead of walks, and my heart skips too.

When I’m not looking out the window, I pull out those Advent cards from the small cloth purse tucked in my bag. Today is day 7 of Advent, and today’s picture is of a full moon in a star-speckled sky presiding over a mountain range. A lightness at the horizon promises that night will soon end. Alicia Heater drew this picture, and on the other side, Cara Strickland wrote, “In my family, we set out the nativity scene on the mantel, without Jesus. The lonely manger reminds me that in this season we embrace waiting empty.”

I read and reread that card and the six that came before it, filling myself with pictures of small lights in the darkness, of snatches of carols and Bible verses about the Incarnation, of words about hope and waiting, memory and silence.

“‘Have you forgotten us?’ ask the Israelites. ‘Have you forgotten us?’ ask Zechariah and Elizabeth. ‘Have you forgotten me?’ I ask.”

I think about how I’m waiting for this long day to end, and how I forget about people in developing countries until they’re right in front of me.

Advent cards
The Advent cards. Artwork by Alicia Heater, reflections (on back) by Cara Strickland.

We stop at the border near sunset, and the crossing takes hours, standing in lines in first one building and then another, filling out forms and getting my visa stamped, and then lots of waiting, milling around on the red patches of dirt, waiting for our bus and then waiting for our driver.

Night is falling by the time we start up again; I see very little of Uganda in the darkness.

We reach a busy intersection, and the bus slows across from a hotel. They are stopping for me. “This is it!” people are saying, everyone now aware of my plight, my confusion, my anxiety. I gather my bags and thank the conductor. A man walks with me across the street while the bus waits for him.

I sit in the dimly lit lobby, surrounded by my possessions, for another two hours. Others notice me waiting and offer to help, but I am now where I need to be. Finally, Irene arrives and we drive the rest of the way to Mbale. I can now relax. It is nearly midnight, and a trip I thought would take six or eight hours has taken 18.

I fall asleep in my fancy hotel room thinking about the kindness of strangers, and I awaken to palm trees and a fancy buffet breakfast and excitement.

I meet Brenda, a teenager on the verge of adulthood whom I have been sponsoring for more than 10 years. She is almost as tall as my 5 feet, 9 inches. I meet her mother and stepfather and siblings, and I see where she goes to school. She is wearing an ankle-length blue-and-black dress, and I recognize her immediately. I can tell she recognizes me too. She can’t stop smiling. She shows me old letters and pictures I’ve sent her over the years. She speaks less English than I expected, but someone is always there to translate.

For weeks, I didn’t know if my other sponsored child, Remmy, would be able to come. He is from another part of Uganda, at least half a day’s journey away. I was planning to mail him his gifts once I was in the country, but then I found out that they would be able to bring him to Mbale after all. He is here with Godfrey, a former sponsored child himself, and they also came on the bus. He is eight years old and shy and doesn’t smile for the camera at first, but eventually we bond over selfies, and he delights in taking pictures of everyone and everything with my DSLR camera. He is wearing a tan suit and dress shoes, but seems more comfortable, more himself, after he takes off the coat.

We eat a meal together, and the center staff share Brenda’s file with me, and then we take the van to her family’s house and I meet everyone. Remmy is there too, sandwiched on the couch between us and treated as part of the family. They open their presents, and then they give me presents I had not expected: a purse with black and white and red beads that Brenda made for me, and a letter from Remmy’s mother that means more to me than I can say. I wish I could have met his family too.

The day fills me up to the brim, worth every twist and turn it took to get here. Before I know it, I am waiting on the side of the road for my bus. Brenda and Remmy and I sneak in a few more pictures, a few more memories, and then the bus arrives and we say our hasty goodbyes.

With Brenda and Remmy
With Brenda and Remmy, right before I left Mbale.

The return trip is uneventful. I sit next to another American all the way to Nairobi. Through the night, I sleep and I wake and I cross back into Kenya and I sleep again. I am not alone and this time I don’t need my Advent cards to comfort me.

So many of my experiences with Christianity have soured, but the season of Advent remains sweet to me. I have a soft spot for “O Come O Come Emmanuel” and the candles and the waiting. I don’t know how much is true and how much is myth in the traditional Christmas story, but somehow, for a few weeks, I’m able to suspend my cynicism and let my heart expand in the darkness.

Advent has never been more special to me than it was that December in Africa, and especially that day when all I had to keep me company were those cards, when I was waiting in the unknown and could only gaze at the pictures and the words and think about all the others who have also felt lost and forgotten.

 

Alicia Heater’s illustrations can be found at slightlystationery.com, and Cara Strickland’s writing at carastrickland.com.

The Sun and the Sky: Eclipse (part 2)

I dreamed about the eclipse several times before August 21st. Sometimes they were happy dreams: The sky did strange things, things that would never happen in the waking world, but I was there to see them. Most of the time, though, they were anxious dreams: I wasn’t able to find a place to stay along the path of totality. Traffic held me at a distance until it was too late. The weather was bad.

And it wasn’t just my dreams that held a sense of dread. I, who had known about this event for ten years, I, who should have known better, didn’t think to find a motel until most of them were gone. The eclipse was still months away, and I was already doing it wrong.

It was no longer a little secret between the sun and me; now, everyone knew, and they were just a little bit faster.

I was still an eclipse apologist, converting people and counting the days, but all the worst-case scenarios hung about me, the reminders that foreknowledge was no guarantee.

So there I was, spending the night on a field in middle-of-nowhere Nebraska, hoping like everyone else in this 60-mile stretch from coast to coast that I had won the weather lottery.

Sun peeking out of clouds
8 a.m., three hours and 49 minutes before totality.

 

I wake up engulfed in cloud. Dribbling fog hides the sky, but there is hope, stronger than before, that the sun, the wonderful sun, will burn it all off long before midday.

Living in Denver, Colorado, the sunshine is our most familiar meteorological feature. Rain and even snow are welcomed as visitors, but the sun melts and dries and acts as if nothing else ever was or would be.

The beginning of an eclipse isn’t First Contact, when the moon takes its first, tiny bite out of the sun. No, it’s that morning when the sun comes up over the horizon, it’s when the clouds part and the sun, the whole sun, fills your world, and it’s a better pick-me-up than coffee, and The Beatles’ “Here Comes the Sun” must have been written for this time.

For the sun to disappear, it must first appear.

Less than ten thousand people live in Alliance, Nebraska. The main street is long and wide, and to the south is the train yard. As another train, probably a coal train, thunders by, I wonder aloud how many young people growing up here had, at one time or another, wished to take a train Somewhere Else.

The evening before, everyone seemed to be Somewhere Else. Traffic was light. A roadside booth and a K-Mart clothes rack showcased eclipse souvenirs, but otherwise the town was going about its rhythms with little interference, unless you knew where to look for the tents and the RVs.

And now, Monday morning, everyone is Here. Our makeshift campground begins to fill and the downtown coffee shop is already full and out of food.

You can’t see the sun from the big windows there, but you can see above the storefronts, and the ratio of blue to white is tilting in our favor. I sip hot chocolate or tea, one of the two, and I duck out once or twice to call my parents and look up.

My parents are with extended family in Albany, Oregon, doing the same thing I’m doing. They are an hour behind me, but today they are roughly half an hour ahead. I don’t reach them, but then it is time to put away the board game and get off main street, time to drive fast to the outskirts, me in the passenger seat opening the sunroof and tilting my head back, watching, watching for The Moment, but it is still minutes too soon, and we don’t miss anything at all.

me viewing partial eclipse
11:02 a.m., 47 minutes before totality.

Here comes the moon, do do do do.

A man on a loudspeaker announces First Contact, and for a few seconds I can’t tell which direction the moon is coming from. And then there it is, and the orb is no longer quite an orb. It is like seeing the moon go through its stages, only faster and more dangerous.

I have never seen a partial solar eclipse before. The closest I got was in Shanghai, several years ago. An annular eclipse would begin in southern China after sunrise, then cross the Pacific Ocean and pass over my hometown in northern California before sunset. I was thrilled at the chance to see the same celestial event my family would see from the other side of the world, even if only in partial form, but it was not meant to be. City lights and city smog shielded the sky, but perhaps it was just as well as I had no way to look at the sun safely.

Today, I have my eclipse glasses and they have theirs. We have both traveled to see this sight, and it is now that I reach them, for a few minutes when I am seeing a small sun and they are seeing one smaller still. We watch the waning together, and then I leave them for their totality and wait for mine.

I sit and stare for a few minutes, and then jump up and put on sunscreen, or throw a bag in the car, or look around at my fellow sun-gazers and this bit of green we are choosing to remember for the rest of our lives. It is about an hour and fifteen minutes, this pre-show, but it goes by so quickly.

 

Little by little, the lighting begins to change. There are no trees to cast strange shadows, but it is as if it is overcast, the sun behind a thin cloud, and then a thicker cloud, but all the actual clouds pushed to the edges, the sun high and alone at midday but for the moon. I need my sweater and I can’t contain my joy.

All that light becomes an ever-more-focused sliver, and it looks a manageable orange through my glasses, not the fiercest yellow that ever there was. And there is so much strength even in this tiny ray.

I know in my mind everything I’m meant to be watching for, everything I want my surroundings to be so everything will fall away, everything except the sun and me, and we will have our little secret again. At some point, I forget about my lawn chair and it’s impossible not to be standing.

In the last seconds, the light goes slant and otherworldly, the sky darker but the ground brighter, like sun and smoke, or sun and storm, and then we can look up unprotected, or nearly, as the last of the fierce yellow glint disappears.

 

And there it is, the black moon, backlit by the sun’s corona, a soft whiteness that in some ways resembles the nighttime moon, but is its own wild and beautiful animal, not a reflection but a reveal.

We are caught somewhere between dusk and nightfall. It is pink at each horizon, and we are the epicenter, suspended just before birth or death or both. For right now we are in the front row seats, and there are no rows behind us. The world had changed slowly, almost imperceptibly, for over an hour, and then everything happened at once, and now time is stopped for almost two and a half minutes.

If I could only look at you for two and a half minutes, how much would I remember of the features of your face?

Is that enough time to memorize the features of the sky?

Everyone around me is talking or taking pictures or both, but I am silent and my hands are still.

This new world is only ours for seconds, and then everything will happen at once, again, and it will be gone.

 

When the sun comes back, the sun I knew before, there are fractions of a second when it doesn’t seem so bright, when I can take in the light on the edge, before I have to tear my eyes away for their own sake.

We are ready to leave and so we do. I open the sunroof again and watch the sun grow back. I call my parents and we are mesmerized together by our memories. I keep looking up, and the saddest part for me is when the partial eclipse ends, and wherever you look, it is as if nothing has happened.

 

This is part two of a four-part series.

Part 1: The Sun and the Sky: Beginnings

Part 3: Skydiving

Part 4: Finding Magic

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The Sun and the Sky: Beginnings (part 1)

sky and clouds
Photo by Martin Duggan, Flickr creative commons

 

The first time a friend of mine went skydiving, I was 17 years old and relieved I was too young to join her. But I put it on my bucket list. I wasn’t sure if I would ever have the courage to initiate such an adventure, but I knew there would come a time when people I knew would look to the sky and ask me to come along, when there would be an opportunity to say yes or no. And I would say yes, I was sure I would, one day.

I was also 17 when the sky drew my attention in a different way. I found NASA’s website on eclipses, the world maps with the splashes of red and blue that can turn anyone into a dreamer. No one knows for sure what her life will bring even tomorrow, but I knew what the sun and the moon would be doing in 10 years’ time, and I was determined to be there to see it. Long before anyone called it the Great American Solar Eclipse, I was joining my first group in the early days of Facebook and committing the far-off date of August 21, 2017, to memory.

And then I settled in to wait. Wait for time to pass, wait for courage, wait for other dreams to emerge, to incubate, to come true, to die.

There is romance in the narrative of dreams fulfilled. Until fulfillment was almost upon me, however, I didn’t realize how much I wanted them to be fulfilled in certain ways. It wasn’t enough to be in the right place at the right time, or to do an activity that hundreds or thousands of people do every day. I needed to bear witness to everything, everything happening around me and within me, every nuance of light and shadow, of falling and flying, of fear and joy and sadness. It’s a fearful pressure, an enormous responsibility, a catch-22 that inspires me to be more fully present while at the same time the fear of missing something can make me too anxious and preoccupied to be fully present. To trust that by “just being” I will gain everything I need to know and remember is a dance I have not fully learned.

Skydiving involves less than a minute of freefall, and then it’s a canopy ride. The total eclipse is bookended by hours of waxing and waning, but only two-and-a-half minutes of the high drama of darkness.

When a decade’s worth of anticipation is all over in a matter of seconds or minutes, will you remember what it looked like, what it felt like, or will you just remember the anticipation and the aftermath?

I saw the total eclipse in August, and I went skydiving in September.

This is what it looked like and felt like.

 

This is part one of a four-part series.

 

Part 2: Eclipse

Part 3: Skydiving

Part 4: Finding Magic

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Running into Story

My drive to work is nothing special. It starts with a nondescript road, grey and industrial and mostly quiet except for the semi trucks that sometimes congregate at the stoplight. Only, if I remember to look down when crossing the river, down and to the right, I smile.

It’s my recurring phenomenon across the suburbs, across urban and residential areas, across the very heart of the city.

Certain intersections are dear to my heart, certain crosswalks and parks and even train stations. I once made meticulous plans to be at those intersections, to be at those crosswalks and parks and train stations, and when I find myself there again by accident, it feels like a secret and a surprise.

I should venture out of the city a little more. I should seek out longer stretches of dirt and fresher air and closer proximity to the mountains. Denver is big, but it’s not that big. It’s beautiful, but it’s not that beautiful.

But I love it. I love this way of discovering my town. I love making my own loops and dipping into tiny parks and looking in vain for a sign with my last name on it. I love involving public transit when I can, fiddling with my armful of gear in the mornings and keeping downwind from other people in the afternoons.

running selfie
My favorite selfies are the ones that bookend my runs.

More than anything, though, I love the stories that write themselves when I run — memories upon memories, tied to place: This is where I saw the deer, on that side of the snow-covered bridge in Cherry Creek State Park. This is where I almost cried listening to The Liturgists Podcast, these two laps around City Park on that hot March day. And the most common story: This is where I went the wrong way and got lost.

But I was always finding things too.

Some I found simply by going to certain places at certain times and paying attention. It’s the feel of the wind at night, warm and wild against my face, hours before the storm hits and the snow blankets everything. It’s the sight of the most beautiful sunrise I’ve ever seen on the morning of my first marathon, a beauty undiminished even though everything else went wrong that day. It’s a series of quacks and rustlings and big skies and horizons. It’s life at its zenith, in me and out there.

sunrise
A sunrise so beautiful that even an iPhone photo does it justice.

I found within myself the usual things people find when they spend months training their bodies in strength and stamina, all the exhilarating and painful and confident and exhausting and stubborn things. I found a clarity that surprised me, an ease in decision-making while on the trail. I learned what I was capable of, and I learned when it was worth it … and when it wasn’t.

Not everything about running has been glorious or even good, but for many of the months I’ve lived in Colorado, it’s been one of the truest parts of my life. Even in the staggering and the struggling, the long middles and the early mornings, it was the X that marked the spot. So I look down and to the right, and I smile.

When You Miss the Darkness

dark church
Photo by n3wjack on Flickr’s creative commons

Is it strange that I miss the darkness that sucker-punched my soul?

This was four years ago. I was living overseas, six months split between two continents, saturated in Christian community that was young and fiery and expectant. I was young and fearful and depressed, but this was my chance. This could be my cure.

One day, we left our drafty English manor with its roast dinners and familiar faces and small groups for the Midlands, for Coventry, for Evangelism Week.

During the day, we threw ourselves into creative evangelism and indirect evangelism and woo-woo evangelism. At night, friends and strangers slept beside me on the carpeted church sanctuary floor, but I couldn’t sleep.

Do I really believe what I’m trying to get everyone else to believe?

The door was opened, and oh what blew in! I lay on my half of the air mattress and tried to keep my breathing steady and my body silent. For the first time ever, I was seriously considering walking away from Christianity. And my soul gaped and gasped and trembled as it realized what all that would mean. This wasn’t a drill.

At the time, I would’ve given anything to close that door.

Now, I want to open it again.

The darkness was wild and terrifying and bleak, but it also blew away illusions and assumptions and meaningless hypotheticals, at least for a time. I learned how to be honest with myself and others, how to be awake to my own soul. What I learned in the dark, I carried with me into the light. The darkness was fierce, but so was the light, and I wonder if they needed each other.

Today, I’m so tired. The darkness is not a sucker punch to my gut anymore, but rather weights on my chest that keep getting heavier and making it harder to breath.

Every so often, something breaks through the fog. Every so often, a Lenten hymn or a line in the Creed will catch in my throat, catch on something inside me, and I won’t feel quite so tired that evening. But all too soon, I’m drifting off again, and it’s getting harder and harder for anything to rouse me.

The loop starts again, that cynical loop, whenever anyone bumps the “Play” button. But by now I’m bored by the sound of my own voice. I’m dragging, dragging, dragging, and experience tells me that nothing will happen unless I can somehow make it happen. Someone asks me if it’s faith or fear that keeps me here, and I don’t know, it’s all tangled together. I’m too tired to try anymore.

This is not the darkness that blows open doors and knocks me flat, for good or ill. Rather, this is the darkness of closed doors and stale air. Maybe one day I will find good in this too, but I can’t help but think that the door needs to open again, whatever may lie behind it now, even if it scares me. Even if I die a sort of death in the process.

Who knows what the morning will bring, or the evening.

 

This post is a part of Addie Zierman’s synchroblog to celebrate the release of her new book, Night Driving: A Story of Faith in the Dark. Read other entries here.